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⊗⊗CCRMA ARCHIVE PROJECT⊗
Lynne Toribara
321-6635 (home)
497-9362 (work)
The Center for Computer Research in Music and Acoustics (CCRMA) at
Stanford University houses a growing body of materials dealing with
various aspects of computer composition.
A quick inventory turned up appoximately 40 sound tapes of works
completed at CCRMA, 50 unidentified sound tapes sent from outside
sources, 300 magnetic tapes of machine readable data (mostly
unidentified), 40 CCRMA publications (in-house, journal articles,
dissertations, etc.), and numerous other non-CCRMA miscellanea --
articles, papers, scores and reports on realisations of computer
compositions, programming language manuals, and computer music
programs (descriptions, and code)
The purpose of this project is to organize the above materials in a
way which will be useful to the CCRMA community and to those who wish
to access their resources. The main users of this archive will be
composers who want to demonstrate the computer's capabilities and
display their compositions, students and faculty wishing to research
papers on various aspects of computer composition, and radio stations
who want copies of compositions to play for their listeners.
The first, and most important step in this process is to identify and
describe the items in the collection. The description (particularly
the access points) will involve a good deal of imagination on the
part of the cataloguer, since the headings and classifications
provided by LC are not specific enough to be useful to anyone with a
minimal knowledge of the field of computer music. The main problem,
then, will be to develop a description which will be informative and
helpful to the general public as well as specialists in the field
while still being compatible with formats already established by LC
(and therefore familiar to library users)